Alice Topp
Photo by James Braund



Simone Pulga
Photo by James Braund


FUN FACTS
WHEN THE AUSTRALIAN BALLET SCHOOL STARTED IN 1964 IT HAD ONLY 25 STUDENTS. OF THE 19 STUDENTS WHO GRADUATED, 11 GAINED PLACES IN THE AUSTRALIAN BALLET.

Dancers’ stories

Alice Topp
Corps de ballet

I started learning ballet in Bendigo when I was four years old. When I was thirteen years old I danced with an orchestra and it was then that I knew that I wanted to be a ballet dancer.

What I love most about ballet is the magic of getting completely lost in the movement. I feel as though time stands still and then when I hear the different musical sounds it propels me into the steps and mood of a dance. I also love the feeling of being lifted high into the air by my dance partner in pas de deux. At first it was scary but once I have practised the various movements with my partner I am confident to dance the lifted poses and movements.

Probably the only thing I don’t like about doing ballet are the blisters and the black toenails I get from wearing pointe shoes! I performed with the Royal New Zealand ballet for two and a half years. In 2007 I joined The Australian Ballet as a dancer in the corps de ballet. This is a dream come true for me!

Simone Pulga
Corps de ballet

I was born and raised in Italy and the first time I got involved with ballet was by mistake! I was about ten years old and wanted to be a movie director like Steven Spielberg. I thought I was enrolling in a theatre school, but it was a ballet school! On the first day I found myself in a big room with twenty boys and girls wearing what I thought were very funny clothes. The ballet teacher came in and we all started our very first ballet class. I have not stopped dancing since that day.

Dancing has taught me to experience a range of emotions, whether good or bad. I remember the anxiety before my first show, the happiness afterwards, the frustration when I don’t know how to do a step and the sense of achievement when I finally get something right, the sadness of leaving home and the excitement of seeing new places. I remember those places I’ve seen because I am a dancer – the colour of London, the sky of Madrid, the buildings of Tokyo, and the first time in a yellow cab in New York.

I often wonder if I would have become a ballet dancer if I had paid more attention to the sign when I was a young boy. Now, that I am a professional ballet dancer I think it was meant to happen.

Simone joined The Australian Ballet in January 2007




The Australian Ballet Telstra National Australia Council for the Arts