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The Silver Rose

An Australian premiere from Graeme Murphy

Choreographic legend Graeme Murphy returns to The Australian Ballet stage in 2010 with a dazzling new full-length work. Based loosely on The Rose Cavalier, The Silver Rose is a ballet of romantic intrigue and love gone wrong. The Marschallin, an actress, is still very beautiful but fears her lover might fall for a younger woman. Inevitably he does. Against spectacular Art Nouveau sets, the cast tie each other in romantic knots. It seems in turn-of-last-century Vienna, love is a dangerous game. With music by Australian composer Carl Vine, The Silver Rose is set to be Murphy's sell-out success of 2010.


"A new work by this leading choreographer never fails to set the ballet world abuzz"
The Sunday Age


"Murphy's choreography continues to evolve and reach new heights of artistry"
Sunday Herald Sun

Credits

The Silver Rose (2005)

Choreographer Graeme Murphy

(based on Der Rosenkavalier by Hugo von Hofmannsthal)
Creative associate Janet Vernon
Music Carl Vine
Set and costume design Roger Kirk
Lighting designer Damien Cooper

Brisbane: with Queensland Symphony Orchestra, Melbourne: with Orchestra Victoria, Sydney: with Australian Opera and Ballet Orchestra, Adelaide: with Adelaide Symphony Orchestra

In Brisbane, Melbourne and Adelaide this performance runs for approximately 129 minutes including two intervals. In Sydney this performance runs for approximately 134 minutes including two intervals.

Act One

The Marschallin, a well-known actress, has troubled dreams but wakes to find Octavian, her young lover, beside her. Their rapturous love is interrupted by the day's commitments. Octavian is forced to hide as the Marschallin's entourage arrives. They prepare her for her interview and photo shoot with a paparazzi-esque pair. A bombastic entrance by Baron Ochs, an impresario, disrupts the shoot. He proudly displays a photo of Sophie, his future bride, and a silver rose, the traditional gift to one's fiance. The Baron seeks a noble emissary to present the rose and Octavian is horrified as the Marschallin nominates him! Baron Ochs approves, and in his clumsy enthusiasm knocks over a screen, revealing Octavian, now disguised as the Marschallin's maid. Fiance forgotten, Baron Ochs' amorous eyes turn to the 'maid' and the Marschallin is forced to intervene. Finally alone with the Marschallin, Octavian tries to re-ignite their passion but she, in darker mood, bids him leave and is left with her melancholy doubts.

Act Two

In Faninal's palatial ballroom the betrothal ceremony is in full swing. A fanfare, and Baron Ochs enters with his emissary Octavian, who will offer the silver rose to Faninal's daughter, Sophie. As Octavian's noble presentation brings him closer to Sophie, his confidence vanishes – the two are clearly overcome with love. Baron Ochs, sensing this, crudely hastens procedures by manhandling the reluctant Sophie, removing Octavian and signing the marriage contract with Faninal. Sophie is left alone and heartbroken. As the celebration continues on the terrace, Octavian sneaks back to be reunited with her. Their rapture is interrupted by the ubiquitous paparazzi who, delighted with their photo scoop, inform the Baron and demand payment – he refuses. The Baron then sets his henchmen onto Octavian but both they and the Baron come out worse for the encounter. Faninal, in vain, tries to placate the disgruntled Baron by guaranteeing Sophie's hand. It is only the mysterious re-appearance of the Marschallin's 'maid' and the promise of an assignation – a plot devised by the paparazzi – that restores the Baron's lusty spirits.

Act Three

Octavian is at the Rose and Thistle Inn, nervously awaiting the Baron's arrival. The paparazzi 'arrange' the room with the innkeeper and his staff, anticipating their sweet revenge. Skilful transformation, and Octavian again becomes the 'maid'. On a cue from the watchful innkeeper the plotters leave as Baron Ochs enters for his 'rendezvous'. He quickly dismisses the innkeeper and the seduction commences – but not quite as the Baron imagines! With every strange occurrence, Baron Ochs' paranoia mounts and the theatrical events climax with the arrival of Sophie, Faninal, a woman who claims to be Baron Och's wife, her three screaming children, and the police! It is into this mayhem that the Marschallin enters. She assesses this strange 'ship of fools' and, taking control, warns the Baron to leave with what remains of his dignity, then encourages Faninal to bless the young lovers. Ever the actress, the Marschallin reassures Octavian that to love Sophie is both acceptable and inevitable. When the happy lovers disappear, she finds herself in the shadow of young love, facing her memories, alone.

Nightly casting is available approximately two weeks before the season begins.

Please visit again closer to opening night.
Day Date Time Special Details  
Friday 19 March 7.30 pm Book now
Saturday 20 March 1.30 pm Senior and Youth
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Saturday 20 March 7.30 pm Book now
Monday 22 March 6.30 pm Senior and Youth
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Tuesday 23 March 7.30 pm Book now
Wednesday 24 March 1.30 pm Senior and Youth
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Wednesday 24 March 7.30 pm Book now
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Friday 26 March 7.30 pm Book now
Saturday 27 March 1.30 pm Senior and Youth
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Saturday 27 March 7.30 pm Book now
Monday 29 March 6.30 pm Senior and Youth
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Tuesday 30 March 6.30 pm Senior and Youth
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*Seniors discounts only available on subscription tickets

  Premium A Reserve B Reserve C Reserve D Reserve
Adult 146 129 120 105 97 85 80 70 37 33
Pensioner 117 103 101 89 82 72 59 52 37 33
Seniors * 115 95 76 63 33
Youth (26 years and under) * 95 82 62 53 53 45 53 45 37 33
Children (17 years and under) ** 84 71 51 43 45 37 45 37 37 33

Subscriber discount price for additional single tickets shown in blue

Concession conditions apply.

* Matinees & 6.30pm only

** All performances excluding opening nights

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the Arts Centre, State Theatre
100 St Kilda Road
Melbourne VIC 3004

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